Beauteous Design
Architecture.Fashion.Interiors.Furniture.More.
Beauteous Design
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enochliew:

Dr Derm Clinic by Atelier Central Arquitectos
Smooth lines were intentionally and appropriately incorporated in the details of this dermatology clinic.  
enochliew:

Dr Derm Clinic by Atelier Central Arquitectos
Smooth lines were intentionally and appropriately incorporated in the details of this dermatology clinic.  
enochliew:

Dr Derm Clinic by Atelier Central Arquitectos
Smooth lines were intentionally and appropriately incorporated in the details of this dermatology clinic.  
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archatlas:

Centro de formación e interpretación de valores culturales y etnográficos del Mandeo (Mandeo Ethnographic and Cultural Centre) Barge Bouza Arquitectos
Images by Héctor Santos-Díez | BisImages
archatlas:

Centro de formación e interpretación de valores culturales y etnográficos del Mandeo (Mandeo Ethnographic and Cultural Centre) Barge Bouza Arquitectos
Images by Héctor Santos-Díez | BisImages
archatlas:

Centro de formación e interpretación de valores culturales y etnográficos del Mandeo (Mandeo Ethnographic and Cultural Centre) Barge Bouza Arquitectos
Images by Héctor Santos-Díez | BisImages
archatlas:

Centro de formación e interpretación de valores culturales y etnográficos del Mandeo (Mandeo Ethnographic and Cultural Centre) Barge Bouza Arquitectos
Images by Héctor Santos-Díez | BisImages
archatlas:

Centro de formación e interpretación de valores culturales y etnográficos del Mandeo (Mandeo Ethnographic and Cultural Centre) Barge Bouza Arquitectos
Images by Héctor Santos-Díez | BisImages
archatlas:

Centro de formación e interpretación de valores culturales y etnográficos del Mandeo (Mandeo Ethnographic and Cultural Centre) Barge Bouza Arquitectos
Images by Héctor Santos-Díez | BisImages
archatlas:

Centro de formación e interpretación de valores culturales y etnográficos del Mandeo (Mandeo Ethnographic and Cultural Centre) Barge Bouza Arquitectos
Images by Héctor Santos-Díez | BisImages
archatlas:

Centro de formación e interpretación de valores culturales y etnográficos del Mandeo (Mandeo Ethnographic and Cultural Centre) Barge Bouza Arquitectos
Images by Héctor Santos-Díez | BisImages
archatlas:

Centro de formación e interpretación de valores culturales y etnográficos del Mandeo (Mandeo Ethnographic and Cultural Centre) Barge Bouza Arquitectos
Images by Héctor Santos-Díez | BisImages
archatlas:

Centro de formación e interpretación de valores culturales y etnográficos del Mandeo (Mandeo Ethnographic and Cultural Centre) Barge Bouza Arquitectos
Images by Héctor Santos-Díez | BisImages
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thecreativesense:

Explosion Cabinet, Look-Again Collection - Sebastian Errazuriz
With just a few simple pulls, this simple-looking maple wood cabinet quickly ‘explodes’ into a complex geometric form; with a single central seam that beckons the touch of the user. In moments the intricate series of rails slide apart and reveal the true nature of the product.
"A beautiful, surprising, and confounding work that represents the playful conceit of the master cabinet maker showing off" - Rachel Delphia, exhibition curator.
See more at: DesignBoom
thecreativesense:

Explosion Cabinet, Look-Again Collection - Sebastian Errazuriz
With just a few simple pulls, this simple-looking maple wood cabinet quickly ‘explodes’ into a complex geometric form; with a single central seam that beckons the touch of the user. In moments the intricate series of rails slide apart and reveal the true nature of the product.
"A beautiful, surprising, and confounding work that represents the playful conceit of the master cabinet maker showing off" - Rachel Delphia, exhibition curator.
See more at: DesignBoom
thecreativesense:

Explosion Cabinet, Look-Again Collection - Sebastian Errazuriz
With just a few simple pulls, this simple-looking maple wood cabinet quickly ‘explodes’ into a complex geometric form; with a single central seam that beckons the touch of the user. In moments the intricate series of rails slide apart and reveal the true nature of the product.
"A beautiful, surprising, and confounding work that represents the playful conceit of the master cabinet maker showing off" - Rachel Delphia, exhibition curator.
See more at: DesignBoom
thecreativesense:

Explosion Cabinet, Look-Again Collection - Sebastian Errazuriz
With just a few simple pulls, this simple-looking maple wood cabinet quickly ‘explodes’ into a complex geometric form; with a single central seam that beckons the touch of the user. In moments the intricate series of rails slide apart and reveal the true nature of the product.
"A beautiful, surprising, and confounding work that represents the playful conceit of the master cabinet maker showing off" - Rachel Delphia, exhibition curator.
See more at: DesignBoom
thecreativesense:

Explosion Cabinet, Look-Again Collection - Sebastian Errazuriz
With just a few simple pulls, this simple-looking maple wood cabinet quickly ‘explodes’ into a complex geometric form; with a single central seam that beckons the touch of the user. In moments the intricate series of rails slide apart and reveal the true nature of the product.
"A beautiful, surprising, and confounding work that represents the playful conceit of the master cabinet maker showing off" - Rachel Delphia, exhibition curator.
See more at: DesignBoom
thecreativesense:

Explosion Cabinet, Look-Again Collection - Sebastian Errazuriz
With just a few simple pulls, this simple-looking maple wood cabinet quickly ‘explodes’ into a complex geometric form; with a single central seam that beckons the touch of the user. In moments the intricate series of rails slide apart and reveal the true nature of the product.
"A beautiful, surprising, and confounding work that represents the playful conceit of the master cabinet maker showing off" - Rachel Delphia, exhibition curator.
See more at: DesignBoom
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cjwho:

House in Balsthal by Pascal Flammer | via

Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.

The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via

Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.

The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via

Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.

The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via

Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.

The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via

Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.

The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via

Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.

The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via

Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.

The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
cjwho:

House in Balsthal by Pascal Flammer | via

Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.

The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.

CJWHO:  facebook  |  instagram | twitter  |  pinterest  |  subscribe
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architorturedsouls:

What Categorize the City and Me / ON design partners
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lifeonsundays:

Modular shelving by Modiste Furniture
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asylum-art:

 Hilla Shamia: Wood And Metal Unite In Striking Furniture
Hilla Shamia, an ingenious Israeli artist and designer, creates beautiful one-of-a-kind wood and aluminum desks and stools using a unique method that marries cold aluminum and beautiful pieces of wood.
To create these unprecedented pieces, Shamia poured molten aluminum onto logs of raw cypress and eucalyptus that have been cut lengthwise. The burning of the molten aluminum on the surface of the raw wooden log creates a beautiful black layer of carbon that creates a boundary between the cold silvery color of the aluminum and the wood’s beautiful natural colors and forms. Because the aluminum is molten, it runs into every crack and crevice of the wood, creating a strong bond and a striking appearance.
asylum-art:

 Hilla Shamia: Wood And Metal Unite In Striking Furniture
Hilla Shamia, an ingenious Israeli artist and designer, creates beautiful one-of-a-kind wood and aluminum desks and stools using a unique method that marries cold aluminum and beautiful pieces of wood.
To create these unprecedented pieces, Shamia poured molten aluminum onto logs of raw cypress and eucalyptus that have been cut lengthwise. The burning of the molten aluminum on the surface of the raw wooden log creates a beautiful black layer of carbon that creates a boundary between the cold silvery color of the aluminum and the wood’s beautiful natural colors and forms. Because the aluminum is molten, it runs into every crack and crevice of the wood, creating a strong bond and a striking appearance.
asylum-art:

 Hilla Shamia: Wood And Metal Unite In Striking Furniture
Hilla Shamia, an ingenious Israeli artist and designer, creates beautiful one-of-a-kind wood and aluminum desks and stools using a unique method that marries cold aluminum and beautiful pieces of wood.
To create these unprecedented pieces, Shamia poured molten aluminum onto logs of raw cypress and eucalyptus that have been cut lengthwise. The burning of the molten aluminum on the surface of the raw wooden log creates a beautiful black layer of carbon that creates a boundary between the cold silvery color of the aluminum and the wood’s beautiful natural colors and forms. Because the aluminum is molten, it runs into every crack and crevice of the wood, creating a strong bond and a striking appearance.
asylum-art:

 Hilla Shamia: Wood And Metal Unite In Striking Furniture
Hilla Shamia, an ingenious Israeli artist and designer, creates beautiful one-of-a-kind wood and aluminum desks and stools using a unique method that marries cold aluminum and beautiful pieces of wood.
To create these unprecedented pieces, Shamia poured molten aluminum onto logs of raw cypress and eucalyptus that have been cut lengthwise. The burning of the molten aluminum on the surface of the raw wooden log creates a beautiful black layer of carbon that creates a boundary between the cold silvery color of the aluminum and the wood’s beautiful natural colors and forms. Because the aluminum is molten, it runs into every crack and crevice of the wood, creating a strong bond and a striking appearance.
asylum-art:

 Hilla Shamia: Wood And Metal Unite In Striking Furniture
Hilla Shamia, an ingenious Israeli artist and designer, creates beautiful one-of-a-kind wood and aluminum desks and stools using a unique method that marries cold aluminum and beautiful pieces of wood.
To create these unprecedented pieces, Shamia poured molten aluminum onto logs of raw cypress and eucalyptus that have been cut lengthwise. The burning of the molten aluminum on the surface of the raw wooden log creates a beautiful black layer of carbon that creates a boundary between the cold silvery color of the aluminum and the wood’s beautiful natural colors and forms. Because the aluminum is molten, it runs into every crack and crevice of the wood, creating a strong bond and a striking appearance.
asylum-art:

 Hilla Shamia: Wood And Metal Unite In Striking Furniture
Hilla Shamia, an ingenious Israeli artist and designer, creates beautiful one-of-a-kind wood and aluminum desks and stools using a unique method that marries cold aluminum and beautiful pieces of wood.
To create these unprecedented pieces, Shamia poured molten aluminum onto logs of raw cypress and eucalyptus that have been cut lengthwise. The burning of the molten aluminum on the surface of the raw wooden log creates a beautiful black layer of carbon that creates a boundary between the cold silvery color of the aluminum and the wood’s beautiful natural colors and forms. Because the aluminum is molten, it runs into every crack and crevice of the wood, creating a strong bond and a striking appearance.
asylum-art:

 Hilla Shamia: Wood And Metal Unite In Striking Furniture
Hilla Shamia, an ingenious Israeli artist and designer, creates beautiful one-of-a-kind wood and aluminum desks and stools using a unique method that marries cold aluminum and beautiful pieces of wood.
To create these unprecedented pieces, Shamia poured molten aluminum onto logs of raw cypress and eucalyptus that have been cut lengthwise. The burning of the molten aluminum on the surface of the raw wooden log creates a beautiful black layer of carbon that creates a boundary between the cold silvery color of the aluminum and the wood’s beautiful natural colors and forms. Because the aluminum is molten, it runs into every crack and crevice of the wood, creating a strong bond and a striking appearance.
asylum-art:

 Hilla Shamia: Wood And Metal Unite In Striking Furniture
Hilla Shamia, an ingenious Israeli artist and designer, creates beautiful one-of-a-kind wood and aluminum desks and stools using a unique method that marries cold aluminum and beautiful pieces of wood.
To create these unprecedented pieces, Shamia poured molten aluminum onto logs of raw cypress and eucalyptus that have been cut lengthwise. The burning of the molten aluminum on the surface of the raw wooden log creates a beautiful black layer of carbon that creates a boundary between the cold silvery color of the aluminum and the wood’s beautiful natural colors and forms. Because the aluminum is molten, it runs into every crack and crevice of the wood, creating a strong bond and a striking appearance.
asylum-art:

 Hilla Shamia: Wood And Metal Unite In Striking Furniture
Hilla Shamia, an ingenious Israeli artist and designer, creates beautiful one-of-a-kind wood and aluminum desks and stools using a unique method that marries cold aluminum and beautiful pieces of wood.
To create these unprecedented pieces, Shamia poured molten aluminum onto logs of raw cypress and eucalyptus that have been cut lengthwise. The burning of the molten aluminum on the surface of the raw wooden log creates a beautiful black layer of carbon that creates a boundary between the cold silvery color of the aluminum and the wood’s beautiful natural colors and forms. Because the aluminum is molten, it runs into every crack and crevice of the wood, creating a strong bond and a striking appearance.
asylum-art:

 Hilla Shamia: Wood And Metal Unite In Striking Furniture
Hilla Shamia, an ingenious Israeli artist and designer, creates beautiful one-of-a-kind wood and aluminum desks and stools using a unique method that marries cold aluminum and beautiful pieces of wood.
To create these unprecedented pieces, Shamia poured molten aluminum onto logs of raw cypress and eucalyptus that have been cut lengthwise. The burning of the molten aluminum on the surface of the raw wooden log creates a beautiful black layer of carbon that creates a boundary between the cold silvery color of the aluminum and the wood’s beautiful natural colors and forms. Because the aluminum is molten, it runs into every crack and crevice of the wood, creating a strong bond and a striking appearance.
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thingsmagazine:

Georges Rousse